| At Home with Music: Domestic Music-Making in Georgian Britain | Musicology and Ethnomusicology,
Music Performance Research
|
| Cantum pulcriorem invenire: Thirteenth-Century Music and Poetry | Musicology and Ethnomusicology,
Music Performance Research
|
| Capturing the Contemporary Conductor | Composition and Music Technology,
Composition and Music Technology,
Music Performance Research
|
| Compositions for cochlear implantees | Composition and Music Technology
|
| Francophone Music Criticism, 1789-1914 | |
| Jazz as Social Machine | Musicology and Ethnomusicology,
Music Performance Research,
Composition and Music Technology
|
| Listening to China: Sound and the Sino-Western Encounter, 1770-1839 | Music Performance Research,
Musicology and Ethnomusicology
|
| Medieval Music, Big Data and the Research Blend | Music Performance Research,
Musicology and Ethnomusicology
|
| Music, Home and Heritage: Sounding the Domestic in Georgian Britain | Music Performance Research,
Musicology and Ethnomusicology
|
| Patterns of Mozart Reception - Dormant | Musicology and Ethnomusicology
|
| Queer Music, Queer Theory, Queer Music Theory | Musicology and Ethnomusicology
|
| Schenker Documents Online: Henirich Schenker as Theorist, Teacher and Correspondent, 1925-1930 | Musicology and Ethnomusicology
|
| The Austen Family Music Books | Music Performance Research
|
| The Trembling Line | Composition and Music Technology
|
| The Works of Giuseppe Verdi: A Critical Edition | |
| The Works of Henry Purcell | |
| Workshop and Performance | Music Performance Research
|